"Sprinkler" takes a compassionate, heartfelt route in Bad Bubble's latest experimental album.
- asonginlife
- 6 days ago
- 2 min read

Creator of a diverse and ranged discography, Bad Bubble is an independently functioning musician with a creative vision— especially with his latest track "Sprinkler," which is part of the greater project "The Triumph of the Puissant." In this expansive list of productions lining up in the said album, a consistent pattern emerges: one that indicates Bad Bubble's thoughtful and unrestrictive approach to music, which we found genuinely appealing.
Industrious in his artistic pursuits, Bad Bubble has maintained an impressive release schedule: this year has proved to be utterly productive for the composer-vocalist thus far. An ardent believer in the indie spirit of music-making, his production methodology possesses a sense of improvisation and left-field features, fully set to stand out. Focusing on his most recent album, we are introduced to a medley of creations— most of them drenched in synths and creative effects, merging styles, and oftentimes sounding trippy with the tonally-shifting soundsets. Take for example, the opening act: "Opaqueness of Flor" is wholly instrumental in a tracklist teeming with vocal-led songs, starting with dreamy and spacious acoustics to lure in the listeners. By the fourth song, "June 2024," broody and grungy trap elements flood in with raw vocals in an intense number. Other prominent tracks that grabbed our attention were the stripped-back and emotive "Ole Dale"; "Ed The Ox" with the wistful piano chords and crooning with subdued drums sequenced as the backbeat; "Content" with the upbeat electro-pop arrangements and ascending vocal harmonies.
"Sprinkler" is the sophomore track in the eclectic bunch following afterwards, and perhaps our favorite; the angsty-toned vocals float over the somber piano chords, with swelling strings amplifying the tempest of emotions troubling the singer. The lyricism is abundantly romantic ("Stay with me/Don't Ever Leave" as the choruses reiterate). Adhering to a simpler attitude with its aesthetics, the composition welcomes lo-fi style, ricocheting drums to carry it gently. The mostly acoustic instrumentation and the earnest, down-to-earth performance make it unique, an achievement considering it's an LP filled with distinctive works.
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