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asonginlife

Evan Page takes the wheel in the optimistic debut EP "In The Front Seat."



In a mere span of a month, upcoming singer-songwriter Evan Page got a burst of inspiration that ultimately materialized in the form of his latest EP "In The Front Seat." Making this feat even more impressive is the variety and depth present in this collection of five tracks, carrying positive themes that are bound to cheer up downbeat listeners. Let's get to know more about the artist and how this EP is a noteworthy milestone for his discography.


Two years since his advent in the indie music scene, the Idaho-based teenager has attracted plenty of audiences as evident on his thriving Spotify page. His debut was marked by "you never know," a promising start; the radio-ready RnB and dance-pop number has vibrant hooks and darting hats, and the vocals are enthusiastic with the smitten songwriting. A short hiatus followed after which Evan would unveil "80 Degrees" (also included in the new EP) with his new bolstered voice, also indicating commendable progress in songwriting and rendition skills.


There's a clear sense of self-liberation in these tracks, coupled with a summery theme instilled in the lyricism and rhythmic instrumentals. Let's take the opening track "Where It Starts”— dramatic strings and atmospheric pad mingle, propelled by a swift breakbeat. The vocals are cheery, having finally found peace and fulfillment, inviting his loved one to a better place ("So take my hand and come on this ride with me/To a place where the sun always shines"). Taking a more minimal route, "80 Degrees" is a laidback indie-rock tune with acoustic drums and floating, glimmering guitar riffs; the singer depicts a comforting scene by the coast side with a scenic sunset, asking to take it easy. 


Not shying away from becoming introspective, "House on The Hill" presents the listener with moments where the singer is confronting his pressing angst and solitude, as the lyrics paint a bittersweet panorama of moonlit nature ("Communication's no use//All the lines are cut through//The moon is full//It could pull me into the star-filled night"); a soft synth amplifies the stripped-back ambiance. It's in the closing track "Or Go With Him" that the young crooner validates his proficiency in crossing over styles, in this case embracing the vintage: classic, overdriven guitar tones reverberate as the solemn vocals are grieving with heartache ("Each night I dream//Of going to hell and back//That's how much you mean to me"). Reminiscent of a 60s ballad, the folk/Americana tune serves as a sentimental yet remarkable denouement.


Listen to "In The Front Seat" on Spotify, and stay tuned with Evan Page and his upcoming projects on Instagram.






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